What inspired you to pick up a brush and start painting?

One of my earliest memories is sitting down with coloured pencils and drawing a footballer. I spent hours completely immersed in the process - it was as if something within me just needed to create. I remember starting with the boots and slowly working my way up to his face, drawing the same character over several days. There was a sense of focus and joy I couldn’t quite explain at the time. What really stayed with me, though, was the moment I showed it to my parents - their reaction, the pride I felt and the joy of having made something from nothing. That feeling of expression and connection is what’s continued to inspire me ever since.

Where do you get your inspiration from?

I find inspiration taking walks, watching films, listening to music & podcasts and exploring new places through travel. Each of these moments offers a fresh perspective and sparks creativity in different ways.

When did your love of art start? Did you always want to be an artist?

My love for art began when I was very young. If I wasn’t outside playing football or on my bike, I was drawing. As a child, I imagined myself doing many different things, but I always felt a deep connection to my creativity. As I got older, I drifted away from art for a while. It wasn’t until I went through a difficult time as a teenager that I truly reconnected with it. Art became a way for me to express everything I was feeling - almost like a form of therapy. Around that time, I also began painting more seriously and was lucky to have some incredibly supportive art teachers who encouraged me. That was a turning point; from then on, I knew I wanted to do something creative with my life.

I went on to study graphic design at art school, which was an eye-opening experience. The projects were imaginative and challenged me in the best ways - but after graduating, all I wanted to do was paint. Since leaving art school, I’ve focused completely on that. I started with large canvases, exploring scale and expression with portraits and eventually found myself working on murals. It’s been a really organic journey and one that’s deepened how I connect with both people and places through my work.

What would be your advice for new artists just starting up?

My advice would be - just keep showing up. Put in the time, be patient with yourself and trust the process. Gravitate toward what truly interests you, even if it doesn’t always make sense. Stay open, follow your gut and don’t be afraid to experiment.

What is the best tip you were told early in your career?

"Be a sponge."

How has social media helped your career?

Social media has been an incredibly valuable part of my journey. It’s opened the door to meaningful connections with fellow creatives, clients and supporters from around the world. Being able to share my work, engage with others and build a supportive community has not only helped grow my career, it’s also been deeply inspiring. I'm truly grateful for the opportunities it's created and the people it's brought into my life.

What has been your favourite exhibition/art trade fair that you have exhibited at and why?

One exhibition that stands out as particularly meaningful to me was a solo exhibition of large paintings, Creative Freedom, with Art Pistol in Glasgow. It took place during the height of the COVID pandemic - a time that was deeply uncertain and challenging for so many of us. The show was completely self-initiated and in many ways, it became a lifeline. It gave me something positive to focus on and a space to channel a lot of emotion and energy. That experience reminded me just how powerful and healing the creative process can be, especially during difficult times. It’s a moment I’ll always hold close.

What is a typical day in the life of an artist?

Every day tends to be a little different, which is part of what I love about being an artist. While I do try to keep some sense of routine, the nature of creative work - especially being self-employed and often working from home (when I’m not out painting murals on-site) has taught me to stay flexible and adapt to whatever the day brings. Most of my time is spent immersed in projects, whether that’s responding to emails, brainstorming ideas or bringing a piece of artwork to life. It’s a busy and fulfilling way to spend the day. Outside of work, I make it a priority to step away from the studio - to recharge by spending time with my wife and our two cats, going for walks and cooking meals together. Being an artist isn’t always easy, but it’s deeply rewarding. I’m genuinely grateful every day to do what I love and I try to keep learning, growing and staying open to whatever comes next.

What is your favourite Daler-Rowney product and why?

System3 Acrylics have always been a favourite of mine. They're so versatile and they work beautifully across a range of surfaces and techniques, whether I’m experimenting or working on a more refined piece.

What is a technique that you haven't tried yet that you would love to try & why?

One technique I’ve been really eager to explore is painting on glass. There’s something cool about the transparency and depth. I’m curious to see how light passes through the colours and how different perspectives can reveal new details.

Who would you like to do a commission for and why?

I would love to do a commission for the football club i support.

What has been your favourite commission to date and why?

It’s so difficult to choose just one, as each commission holds a special place for me. I approach every project with the same level of care, passion and commitment, regardless of its size or scope. Every piece has a unique journey and I feel incredibly grateful for the trust my clients place in me to bring their visions to life.